The 1990s is an often overlooked period of horror.
It was a time of big studio cookie-cutter rip-offs or slash by numbers films, but look closer and you will find the very definition of a hidden gem in Wes Craven’s The People Under The Stairs.
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Michael returns in this direct sequel to Carpenter’s ’78 classic.
No boundary pushing in this one, just a solid Halloween movie from beginning to end!
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The plot is simple but the delivery is excellent in turning the cat and mouse scenario into a claustrophobic drama that cuts from one frightening chilling set piece to another!
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This adaptation of Morrell’s book sees a put upon drifter escape into the woods raging a one man war. Like its battle scared hero, First blood is a lean, grounded movie where in its final reels Stallone as Rambo afloat with feeling delivers a message that remains one for the ages.
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Wolfen (1981):
1981 was a special year for the cinema of the lycanthrope, and while Wolfen will forever live in the shadow of The Howling and An American Werewolf In London, it is a fine film with an intelligent treatment of a theme that is usually exploited.
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A Nightmare On Elm Street (1984):
‘One, two, Freddy’s coming for you…’ Craven’s camera is always active as he turns the horror genre upside-down and inside-out to serve up a new horror icon in full bloom….’nine, ten, never sleep again’
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Superman 1978
Today’s CGI-heavy superhero movies should wilt in its presence. From its swelling score to its iconic emblem, Superman 1978 remains the only superhero movie to touch the stars!
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Extreme Prejudice (1987):
Walter Hill’s macho western is soaked in sweat and testosterone, it’s a movie that may not be for everyone but Hill has gathered a stellar cast of character actors who take turns munching the scenery.
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Black Swan (2010):
With Tchaikovsky turned up to 11, Portman as Nina, pirouettes her way to her doom in this wild weird claustrophobic psychological horror movie that takes an eccentric detour via the likes of Susperia and repulsion in Aronofsky’s superbly crafted creepy film.
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The Descent: With a queasy mix of guts and hardcore scares, Marshall cranks up the tension while exploiting our fear of the dark without for-going a credible human story-line which climaxes in an unearthly showdown!
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The Cinema Ticket 